The first precedent that I choose was APM by BIG
architecture. BIG was commissioned to build a pavilion for the art and science
of watch making, for their client Audemars Piguet. The parti for this pavilion
combined the context of their client with the necessary program required for
the building. The main idea of the project was the linking of program into one
continuous processional space. This processional space began to organize both
program and context simultaneously into one.
My proposed design for the San Antonio site references this
precedent in an attempt to blend the context of the site with the program into
a linked processional experience of the community members. The central element
of my parti is the large open space that begins to organize the program. In my
precedent, BIG uses the central element as a way to wrap the program around
itself and create an encompassing experience in one space. Because of the large
site and the intent to link two communities, my design uses the central element
as an organizational tool that serves as public space. From this central public
space, the program begins to radiate from it and create an organization on the
site.
The form of BIG’s pavilion references their client, Audemars
Piguet, a Swiss watch company. The central element in my design attempts to
reference the figural form of the San Antonio River. The river currently
divides the two communities. As a way to bridge the gap, the figural form that
organizes the space in my parti is oriented to be viewed as an offshoot of the
river itself. This created offshoot allows the members of the community to see
the river as a way of joining both of the neighborhoods together rather than
seeing it as a gap that divides them.
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