In the precedent
parti, there were two programs split between buildings. Then they architects
from big executed a tilt and then a double tilt. Essentially making the site
two ramps with undersides of storefront and useful space. In my parti, I
decided to implement the same ideas into my design. I used the same tilt and
reverse tilt ideas to exemplify elevation change in an area that didn’t really
call for a tall elevation building.
My precedent parti
was from the Bjarke Ingles Group’s project, Musee National Des Beaux-Arts Du
Qubec, QNM competition building. As stated above, the general idea and parti
design, they did a fantastic job separating the two programs but also still
relating them together. This is something that I wanted to implement into my
design. Not only did this tilt add an extra element to the design but it also
was able to double as an outdoor theatre and courtyard. Overall this idea and
parti stuck out to me because of the ability for the design to be congruent
above and below grade. This was a big element that I wanted to convey in my own
design.
My own parti played
off the same elements that BIG exemplified in their project. I wanted to have a
strong enough form to be congruent above and below grade. This was hard to
achieve because of the tunnel/passage way effect, but nonetheless, I think I
was achieved. Another element that I wanted to borrow from BIG was the “tilt”.
I took this simple idea and made it my own by changing spacing and orientation.
Some of the tilts reflect the same angles below it making a parallel space, and
some compound and add to the jaggedness to make an orthogonal shape that could
be an iconic feature from the street view. Overall, this shape took the necessary
space needed to perform all of the programs and moved them in a vertical axis.
This, inadvertently, made space for the community center and live music area
that we so desired to inhibit into the space. This makes up a strong
composition that fits all the programs as well as relates to the surrounding
urban environment without compromising any form or function.
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