Michael Clariday
ARCH 305 Deyong
16 October 2014
Namba Parks in
Osaka, Japan, is an example of natural intervention in an urban environment.
Emphasis on circulation and dynamic paths. Hierarchy developed by the
progression from parking to cultural space, to public/green space, to
residential, to office, and finally, to retail and entertainment. Where paths
intersect, points of interest are generated and become individual focal points
along a diverse circulating pathway through the site. A common consistency is
achieved through the elliptical buildings, concavity of the spaces, and the
sinuosity of the paths. A sense of overlay reminiscent of the basic concepts of
phenomenal transparaceny are apparent in both plan and perspective. The built
environment and the landscape seem to correlate with each other in an
interesting way that creates a unique organization between space and objects.
Hierarchy becomes more clear in the earliest thesis of the project, evident in
elevating topography of the landscape and the aggregation of the built spaces
that become more dense as the site progresses. The indexical relationship
between the curvaceous topography and the elliptical layout of the built
environment in a way become one with each other as they are sewed together by
the maleability of the pathway.
Elements adapted
from the Namba Parks into our parti include, density, overlay, aggregation, dynamic
pathways, and an indexical design language between landscape and built
environment. The parti borrows inspiration from the Namba Park’s unique
approach to generating form in plan view while still adapting the issue of
context. To accomplish this task, we investigated the idea of creating a
circulation between the existing public spaces by surrounding the built
environment and the motion of the paths around an epicenter located at the
intersection of Cevallos and Probandt Street. Density is apparent in the
surface articulation which appears more condensed closest to the epicenter and
the least condensed away from the epicenter. The concept of overlay is achieved
by the extrusion of the surface articulation which translates into elevated
topography which translates into interior spaces. Aggregation is apparent in
the organization of the extrusions around the epicenter and the converging
pathways generated by the proximity of the individual interior spaces. The
pathways become dynamic by following the syntax of the surface articulation of
the landscape while prioritizing the transitions between the individual built
spaces. An indexical design language is evident in the relatable orthogonal/creased
form between the shape of the built spaces and the surface articulation.
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